Blog


Your Event Marketing. Is it Charming, Creepy, or Clueless?

Like many others, as a consumer I’ve come to pay attention to my email inbox in terms of what attracts me to open a message versus ignore/delete it. I’ve also begun to notice those messages that are too familiar in their tone or are too presumptuous in the way they direct me to take some action when it’s the first time I’ve ever heard from them.

 

After some observation and reflection, I have come to classify email messages into three categories:

 

  • Charming- These messages successfully identify needs, send the right message at the right time, are well targeted, and anticipate ‘move the needle’ moments in ways that are likely to prompt a positive response and ‘buying’ action;

 

  • Creepy- These intrusive, highly “personal” communications purport to know the score of your daughter’s soccer game and the team’s season record. They also tend to present their “sell” messages too early in the interaction[s] and are pushy and out of step in terms of their relationship with you and your organization;

 

  • Clueless- These messages are not personalized, or worse, they may reference actions – like a purchase – that you have never taken. They might make incorrect gender assumptions or otherwise struggle with how to address someone when gender is not known. Or they send messages with the missing/wrong job titles, send them to individuals who no longer are employed or perhaps might even be deceased. Their mistakes illustrate how little has been spent on the quality of their lists and the completeness and accuracy of their data.

 

Unfortunately, in our age of ‘Analyze Everything’ the availability of data and the propensity to try to leverage it does not ensure that the right actions are taken. Far too many organizations do the wrong things with the data they have, resulting in creepy pseudo-personalization or embarrassing, clueless moments. Neither result benefits the sender of those messages.

 

I wonder if this also applies to us in the event world.  What does this mean for you?

 

If your communications are ‘charming’, then you are in the top tier of organizations with messages that attract responses. You’ll have no trouble getting your prospects to volunteer information in ways that can serve both of you better. Your communications have a tone, familiarity – and timing – that invites positive response.

 

If your messages are creepy or clueless, you’ll also see a response. But it will be in the number of “unsubscribes” that you get. And it will be in your best interest to figure out why or end up with an unengaged database….


Are You Your Job Title?

Many people tend to consider the respect – perhaps even deference – that’s given to them as part of their job to be attributable to them personally, rather than connected to their role within a business. That belief often only lasts until they leave their position, perhaps due to a layoff or a decision to take a different position. At that point, they may find that the status they previously enjoyed has disappeared or is a mere fraction of what it was.

 

The Event Mechanic! has a Rough Start

I found this to be true when I started The Event Mechanic!, having left my prior role at IDG World Expo. I had believed that all I needed was to put up my shingle and the phone would ring off the hook with consulting gigs. After all, I had run one of the world’s most famous tradeshow brands – Macworld among others.

The reality was that when I left behind my Group VP title most of the status went with it. This was an extremely rude awakening as I began to build my new business and make a living as an independent consultant. As has been mentioned in a past article, the next three years were extremely hard slogging in trying to ‘catch up’ to where I was before. It required that I become an expert business developer, as in “if you don’t catch something, you don’t eat dinner” kind of business developer. I am doing fine now, but for a while it was somewhat frightening and enlightening.

 

The Opportunity for You

Why bring this up?  Because I see significant opportunity for all of us For those who know their event stakeholders personally, as was previously written), the benefits could be huge.

How? Imagine hiring the former VP of Sales of your top exhibitor to sell your show. Or bringing in one of your conference speakers to build the content of your program. Or have them join your advisory board and take a hands-on approach to help make your program better.

All of us know people who are in transition for instance. They are no longer their former titles. But you can use foresight to ensure that you keep in touch with those who have innate value and consider how they can help you create better events. In many cases, they may know your event market better than you!

A lesson to the wise: Learn to leverage the resources which may be under your very nose! It will certainly pay off….


Reactive or Proactive: Are You A Follower Or A Leader?

 

Most people in business are followers. They are the people will neither create anything nor be the first to jump opportunistically on a new market or innovative theme. There’s nothing inherently wrong with that, but without innovation or creation, nothing new or transformative will emerge. It takes someone with a creative spark for innovation to occur.

But it takes more than that spark; creation is not without its costs. The way forward often involves you in a zero-sum game, as the time and attention invested in current activities can preclude a similar investment in what is new and unproven. Few among us have the resources to be fully committed to both the existing, as well as the new. You therefore must find a workable mixture that combines both approaches, or commit to one or the other. The process of creation and adoption of new things is outlined in Geoffrey Moore’s seminal book: Crossing the Chasm.

 

What is the threshold of market adoption? 

The threshold for market adoption of something new is when the majority embrace the innovation. Sometimes, as with Uber or Netflix, it can happen quickly. In other circumstances, it is more gradual, as with Amazon.com. The tempo of adoption often is a matter of how strong and entrenched are the incumbents and what barriers to adoption lay ahead of the innovation. But the process is usually the same; either new things are adopted or they fall by the wayside when the creator runs out of the patience needed to support growth – or the money needed to fuel that growth runs out.

The art of creation is both difficult and risky. If it weren’t, we’d be awash in innovation. But we are not; challenges abound. Given those challenges, most choose a ‘wait and see’ approach. While that’s often a fair, defensible position (given that profit and loss are at stake), it also limits your ability to capitalize on the advantages of being a creator).

 

Could you be a Value Creator?

Let me pose a question:  What would you create (what innovation would you champion) were profit and loss, as well as time and resources, not at stake? Do you even know what you would try to do?

I believe that there’s a connection between being proactive and being creative. Being proactive in terms of an event requires anticipating the future. Tactically, it’s identifying issues and addressing them before they become threats.  Strategically, it’s figuring out the need for something new, perhaps before your prospective customer knows they want or need it (e.g. Apple’s development of the iPhone.) Creators often don’t have the constraints of budgets, thus are free to imagine different approaches – or entirely new and different products – because they are not burdened with the obligations of profitability, at least in the short term.

 

Are you a Follower or a Leader? 

I’ve frequently said that growth requires proactivity and creativity. Simply following others can be a long-term recipe for failure, though it may be the easier choice in the near term.

Is your organization capable of creating?

 

 

 

 


Why I’m So Sick of the Quick-Fix Approach to Everything!

Are you sick of hearing that technology or some silver bullet is going to turn your event around? Sure there are some tools and processes which will make your event more efficient and easier, but none will fix an event which is poorly conceived, researched and not wanted by your prospective audience.

 

I launched my company, three years before the stock market crashed in 2008. When I was just getting started, I was consumed with the effort to keep my business alive. I started my business knowing there were no snappy techniques or technology to help mesurvive the ‘Death Valley’ of the recession that followed. Acquiring and securing business required my adherence to the unassailable basics of how to turn around events that were suffering and launch new ones in tough conditions. Gimmicks would not get the job done.

 

An  article I read and quickly followed was authored by Tom Peters, an expert on business management best practices and excellence. This formed the foundation of my philosophy for making my events successful and profitable. Here are the key excerpts on how to succeed in times of adversity, with several of my own thoughts mixed in:

 

  1. You work harder.
  2. You dig deep, deeper, deepest – and always bring a good attitude to work.
  3. You take care of your physical, mental, and emotional state.
  4. You work the phones, keeping in touch with everyone.
  5. You simplify.
  6. You sweat the details like you never have done before.
  7. You do your homework on how to a) make the buy-sell connection, b) know what your customers want, and c) make money doing it.
  8. You don’t care about what the competition is doing.

 

If your philosophy about how to create a valuable event is wrong, there’s no amount of technology that is going to save you.  If it is well thought out, the above list may help you fulfill its potential.

BTW, I am not anti-technology. But I am saying that while technology may accelerate a good plan, it won’t help poorly-conceived or unwanted events.

 

 


Ready to Jump on the Customer Grenade?

I recently came across an article about a long-time exhibitor, Mile High Comics, and their decision to drop out of the San Diego Comic-Con event, ending a 44-year run as a customer. I mention the situation, not necessarily to beat up on San Diego Comic-Con, but rather to ask a question of all my readers. Do you run from customer disasters? Or, like first responders, do you head toward the problems and at least attempt to fix a potential disaster?

 

In terms of the Comic-Con organizers, I found no articles that addressed the issue from their perspective, nor did I attempt to contact them to get their perspective . But the withdrawal did generate a lot of publicity(and all one-sided):

http://www.cbr.com/mile-high-comics-no-san-diego-comic-con-exhibit/

https://www.bleedingcool.com/2017/07/06/mile-high-comics-breaks-san-diego-comic-con/

http://www.comicsbeat.com/sdcc-17-shocker-mile-high-comics-pulls-out-of-san-diego-comic-con-2017/

 

On a more personal note, I remember a situation   twenty years ago involving an event in Rosemont that competed with one that I managed. Together with two of my sales team, I attended the event, seeking to talk to the 50 or so companies who were exhibiting. Unfortunately for the show organizer, there was no floor traffic during the actual conference sessions, leaving the exhibit hall empty for 90% of the time the expo was open.

 

And where was the event’s sales staff? They were hiding in the show office with the doors locked. At least, they were in hiding until the exhibitors ganged up on the organizers and forced them to adjust the conference/exhibit hall schedule to try to stir up some floor traffic…Chalk another one up for the “Ostrich Gang”.

The results? My team was able to generate more than $300K of sponsorship/exhibit revenue for our show, while the competitive show, with its cowering sales staff, never took place again.

 

No one likes having to deal with customer problems at their show. But are you the type who hides and hopes the problems go away or do you do everything possible to help resolve the issues, even if it means getting yelled at when you do? I have to admit that I probably started off as the former. But I now take the bull by the horns as much as possible, even though having to do so still makes me shudder in extreme circumstances.

 

When you run a massive, world-renowned event like a Comic-Con (or Macworld, as another example) you can absorb the loss of an exhibitor like Mile High Comics. One of the linked stories indicates that there was a waiting list of potential exhibitors, suggesting that space was probably filled quickly. It also sounds like Comic-Con is making a lot of money. So, who cares if someone is upset?

 

Someone should care. Each issue, resolved positively or otherwise, contributes to a reputation, and if these sorts of situations keep happening, who knows what the impact will be? There have been bigger shows than Comic-Con that have been cancelled, when enough sponsors abandoned a previously successful event because their concerns were not addressed.

 

Are you going to be next? Or will you steady your nerve, steel your resolve, and run toward the challenge when others are running away? Your event’s future may depend on what you decide…..


Copying Your Competition − The First Step on the Road to Event Failure

An interesting column in last month’s Convene advocated working with your competition or co-opting them as competitors so that everyone can benefit. The piece included a link to a Harvard Business Review article that has a great quote:

‘It’s not who your competition is, but what it is.’

This means that you need to consider your competition as encompassing any alternative ways your prospect might follow to solve their problems instead of attending your event. If those competitors can succeed in persuading your prospects that they are indeed a better alternative to you, then they will persist as a threat and your event may suffer.

 

What is Competition?

This led me to think about the meaning of “competition” in terms of an event. In my mind, competition validates the presence of demand for events in a particular market segment and such demand represents an opportunity to make money. However, there are many events (including some big industry ones) that merely convey the idea that they are valuable (like an Emperor’s New Clothes Syndrome) than actually are delivering. Eventually their customers wise up and we’ve all seen examples of this if we’ve been around.

If you are spending considerable time focused on your competition, consider that as time that you are not spending trying to figure out the needs of your customers. And without a focus on your customers, you are unlikely to anticipate the future needs of the market or the competitors that await you in that future.  Without a forward-looking perspective, even if you are a dynamite promoter, your time will eventually come. Or perhaps better said, the end of your time will eventually come.

 

Do you know what influences your Customers? 

I believe that few event owners truly know what drives their customers, often because it’s both difficult and time consuming to find out. Chasing the competition is far easier than charting your own course. But it risks leaving the fate of these events at the mercy of decisions that competitors make, rather than pursuing a path of their own choosing.The quest for value an how to spend your limited time continues and the bar is higher than ever, given the demands of everyone’s time.

 

Be Proactive with Building Customer Relationships

My simple prescription to combating [what I call] a “me, too” event is:

  1. Care about meeting the demands of the attendees, visitors, exhibitors and partners of your events;
  2. Come to know people in each category. And know them in person, not just as a voice on the telephone or a digital message on a computer screen;
  3. Get creative about new ways to meet the demands of your customers and don’t be afraid to try those new approaches;
  4. Build a community of people outside of your company who can help you achieve the above tasks.

 

Follow these steps and, rather than following your competition, you’ll be able to see everyone else in your rear-view mirror, struggling to keep up….

 

 


Launch, Acquire – Or Die….

Before I started The Event Mechanic! there were two types of companies for which I worked: 1) an event generator and 2) an event buyer. In both situations, the owners of those companies realized that revenue growth and profitability required a pipeline of new products. Such offerings could be added to the ‘cash cow’ events upon which they relied, as well as stem the revenue loss from those events that showed signs of declining.

 

My experience in this business has found that event generators are rare and far more valuable over the long term. The assessment of value is attributable to the fact that these generators are in complete control of the events they choose to launch, rather than having to wait for a property owned by someone else to become available to purchase. Of course I certainly acknowledge that an event buyer has some options available to them to initiate events: they can choose to clone existing events and execute them in new markets or do niche events that are marginally different from those that they already operate.

 

I believe the failure to frequently launch or acquire events is a recipe for failure for event companies.

 

For those interested in avoiding that failure, you should attempt to invest in a number of creative people who can conceptualize new events and help build the business case needed to support their launches as part of your organization’s strategic plan. In a recent article, Eventbrite provided guidance on the way to correctly launch an event. Their instructions include advice on how to:

  1. Find your audience,
  2. Develop a unique and effective value proposition,
  3. Get your pricing right,
  4. Set a realistic budget,
  5. Build momentum by creating an early support network,
  6. Set up your web page for success,
  7. Promote your event with great online marketing,
  8. Deliver a world-class onsite experience for your attendees,
  9. Go from strength to strength after your first event.

 

Obviously, the toughest steps are the first two. For further insight about the need for creativity in the process, check out some of my previous postings, including one about the “3 Guys” needed for events and another on the importance of the “creative” role.

 

The challenge you’ll face is the scarcity of creative types (which is why you should cultivate your own). If only 5% within the event industry qualify as ‘creative’ and that person is not on your current staff and you can’t seem to hire any, what can you do?

 

I’d suggest:

  1. Look at your current event portfolio and investigating whether you can hire or contract with someone who can conceive a new event.
  2. Challenge someone on your current staff (likely someone younger whose experience will not hinder their creativity) to develop your next concept.
  3. Continually network outside your comfort zone to meet and engage people who may have a new twist on an idea that can be developed into something that could make you money and hire or engage them.

 

Pick one of the above, or find your own way. But remember “failure to launch” is an assurance that your company’s final days will be sooner, rather than later.

 

 


How Not to Engage Your Attendees

Many years ago, I was hired as a ‘secret shopper’ by a large conference company that did not feel it was ‘gelling’ with its audience at a particular event and sought help in figuring out why. What I discovered during that experience was a set of behaviors that showed me what not to do if you want to engage your audience for the long term. I’ll recount some of what I found, though I’ve omitted the names to protect the guilty.

 

What I found was:

  • The event team spent little time speaking with attendees and more time either ‘running the show’ or holed up in the show office during the event;
  • The team spent little time at conference sessions listening to the speakers, hearing their ideas, gauging either the reaction of the audience or the richness of their questions. Though they had spent twelve months crafting the content of the event, the staff spent little on-site time monitoring the results of those efforts or appreciating their own work;
  • During the different event receptions, the team spent more time with other team members, leaving the attendees to interact with each other;
  • The staff knew few of the speakers nor most of the attendees by name other than to eyeball their badges if necessary;
  • When I asked attendees about their experience at the event, they indicated that they felt somewhat rootless, walking from one session to another to the exhibit hall with little sense that the staff cared whether they attended the event or not.

 

Now an admission of my own. My first ten years in the business proved to be fun times, going to new cities, experiencing the exhilaration of being on site at six in the morning for five days in succession, working 12-15 hours each day. But over time the repetition, together with additional responsibilities, began to transform my experience. The events became more of a grind, as I perhaps lost sight of their purpose: to generate revenue by bringing people of like interests together so that they could learn and do business with each other.

 

That mission is a magical thing. It’s easy to become jaded when you do this kind of work, because it’s hard and stressful and there are no “do overs” available to you the week after everything is done. I rediscovered the magic once I realized that to be energized by these things we call events requires that we are connected to them. That means being part of each one in a way that delivers an enjoyment and value even if we, as the event managers, are not the main players.

 

The problem with the client who sought my secret shopper insights, and indeed the problem with my own experience years ago, was the lack of energized awareness which only comes from being truly connected with your own event. Considering the many man-hours spent and the money risked as part of launching and maintaining an event, such ambivalence is a shame and especially dumb if you are trying to build a valuable asset. Can you expect your attendees to be engaged with you when it’s time to register if you are not engaged with them at your own event?

 

If you have an engagement problem with your event, is your detachment due to having forgotten the magic you originally saw, or is it truly gone forever and you are trying to fake it, hoping that no one figures it out?

 

I hope it’s the former rather than the latter because your attendees will always figure it out. And sooner or later, if it is latter, they’ll abandon you. If it’s the former, I challenge you to re-discover the magic of why you do what you do. The tactics on how to re-engage will soon become obvious to you if you truly seek them.

 

Enjoy your re-discovery or suffer the consequences…


The Traits of an Indispensable Event Person

There’s been considerable discussion in recent years regarding the imminent replacement of many elements of the labor force with robots. The proposition got me thinking about times in the past when I managed a staff of seventeen people who executed four reasonably-sized events in a year. Now, I would have to do the same number of events with just half that size staff.

 

Phil Fersht, in this recent blog posting on Horses for Sources, writes about the trend of businesses within the IT market to proactively downsize – with no urgent, imminent need. Automation is conspiring to make people less and less necessary. It’s a trend that used to be concentrated in manufacturing and other “blue collar” industries, but now is making inroads within the service sector.

 

Given the threat of this new paradigm, what attributes are needed to become indispensable at work? Or, should things happen and you were to end up out on the street, what’s needed to get back into the game?

 

Here are my thoughts:

 

  1. Project the right attitude. In my mind, this is the number one asset any person can have. What’s the personality and style that will convey that you can get things done: Eeyore (from Winnie the Pooh) or John McLane (from Die Hard)?

 

  1. Have an eye for the numbers. Do you know what it takes to make a profit? Can you create revenue? Can you build something from scratch? Do you know how to spend just enough to make something great while not wasting money?

 

  1. Be someone who listens. Do you have your head down, oblivious to what’s happening, or are you alert so that you can pivot in response to outside feedback or changes in the market?

 

  1. Persist – and adjust – in the face of difficult circumstances. Can you change direction midstream? When things are going badly, can you positively influence others and alter the dynamic? Are you aware enough to know what must be changed – or stopped altogether – when the numbers are bad and flexible enough to take the requisite action?

 

  1. Be attuned to the inevitable politics. Can you avoid the pitfalls, while dealing with the inevitable challenges that are found in every company? Or do you risk being the fall guy because your focus is exclusively on the work and not other influences?

 

  1. Act with a sense of urgency. Can you accelerate the pace of activity and deliver results more quickly, as needed? Can you close a sale today, thus freeing up tomorrow to sell to someone new? Can you get the ‘meat and potatoes’ stuff done early, so you can develop something new?

 

  1. Have the network. Have you mustered the resources to ‘break your fall’ if such a fall looms ahead of you? Could you secure another position, one with comparable compensation, were you to be let go today?

 

  1. Know the value you deliver. Do you know the financial value of your contribution to the company? This should be easy for sales people. Are your calculations based upon past success or do they reflect what you are delivering today? Can you make your case clearly and confidently?

 

I’m sure that all of us can find something in the above list deserves attention. I know I can. If you want to stem the tide of obsolescence and ensure you do not become dispensable, consider focusing on the areas where you are weak.

 

Or await your fate.


Six Factors That Will Kill Your Event

During my time in the events business I’ve seen a fair number of successful events, as well as witnessed some failures. In my experience, there are some key factors that, in some combination, will guarantee the failure of your event. Here’s what I believe are the critical mistakes that event organizers make.

 

1) Taking attendees for granted

This can mean that you don’t seek their feedback or, even worse, if you do solicit it, you fail to take any action in response. If you are not paying attention to your customers you are also not likely to be paying close attention to the direction your market is heading in either. You are likely not that attentive to the attendees’ onsite experience as long as you succeed in getting them onto the exhibit floor. And you have probably never picked up the phone and spoken to an attendee with the intent of engaging with them vs. responding to a problem that they bring to your attention.

This is the ‘build it and they will come’ factor.

 

2) Taking exhibitors for granted

You fail to go the extra mile for exhibitors when something is needed onsite or you ignore them until it’s time to rebook. You raise prices without good supporting reasons. You have no idea what creates the ROI that will attract exhibitors to return to your event. You don’t have personal connections with any of CMO’s or VP’s of Marketing that make the decisions about coming to your event.

This is the ‘my show is more important than you’ factor.

 

3) Hiring the wrong people

I’ve hired many people and the best were those with a “can do”, rather than “9-5” attitude – regardless of their skill or experience level. These are the staff members who will dig in when things are hard and will find the answer when it’s not obvious. The good ones are those who allow you to sleep at night because you know they have your back. In contrast, the wrong people are ‘the throw you under the bus’, the ‘it’s not my job’, or ‘it’s not possible’ people. They will fold under pressure and disappear when their effort is needed.

This is the ‘not my problem’ factor.

 

4) Not doing your homework

When doing your annual forecasts, do you understand the market conditions or the state of the competition? Are you able to react when something changes or are you unaware of what is really going on?  Do you know the strengths and weakness of your show and are you in a position to do anything about them?

This is the ‘what me, worry?’ factor

 

5) Not building and tapping into your network

Most people only tap into their network when they need something, often then finding that the network is not extensive enough to address what’s needed. There is enough expertise in this business such that you should be able to find expertise within or outside of your network and gain assistance quickly. If this is not the case, get out of the office and meet some people not just sit behind the computer.

This is the ’Me Myself and I’ factor

 

6) Not taking care of your database

Do you know what the bounce rate of your attendee base is? The opt out rate? Have you segmented your database so that you can easily send out targeted messaging to your top personas? If the answer to any one of these questions is “no”, then you have some back office work to do. If you don’t understand the numbers, or the content of one of your prized assets, your event will suffer.

This is the ‘my tools don’t need cleaning’ factor.

 

Having any one of these factors will damage your event, but two or more in combination will eventually kill it. Beware and act so that your event does not become one of the victims….